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Thursday, October 8, 2026
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Film Analysis: Band Frontman Jason Williamson Takes On Role in Critical Examination at 90s Rave Culture

Produced by Bristol sound co-founder Geoff Barrow, this scabrous though slight first film turns a sceptical eye on 90s rave culture. Self-serving pillhead David (Marc Bessant) initially steals from an unconscious dealer, then in another flashback tries to break into his own family home. Before you can say, he's upside down in the remains of his car in a woodland – and subject to the angry eye of the Woodsman (vocalist Jason Williamson). Declining to free David, with no time for city dwellers, he is broken Britain personified: “You’re one of those loud individuals from up on the heath.”

Unsteady Opening and Grimly Amusing Duel

Game gets off to a shaky start, spending too long on meticulously detailing David’s attempt to free himself from his seatbelt, while awkwardly transitioning into past scenes of his everyday life. The central theme – that the rave-era youth were primarily out for themselves – is clearly conveyed. But these vignettes are insufficiently developed to properly prime us for what to expect when the Woodsman arrives, enraged after David kills his dog. Still, a darkly funny standoff takes hold – David eager to get away; the Poacher withholding his jerrycan of cider, intent on dousing him instead in resentful talk. Williamson, exuding heavy threat in the role, is evocative of Michael Smiley.

Visual Flair and Promo-Inspired Sensibility

Just a single important plot development, but it results in a hilariously staged rampage on the forest trails that dips close to rural terror. Director John Minton finally gets to go all in with his showy imagery: where he was focused intently doing impressionistic closeups of bugs in headlights in the opening part, he now goes all out with the full psychedelic 21-gun salute, accompanied by a frenzied keyboard rendition of Ravel’s Boléro. The movie resembles an elongated music video than a fully fledged drama, but there’s enough bold visuals to suggest that Minton could emulate Jonathan Glazer, Garth Jennings et al into making the leap from the UK video industry.

The film is in UK and Irish theaters from November 17.

By

Adam Cook

A UK-based tech journalist with a passion for digital innovation and consumer electronics, offering fresh perspectives on the media landscape.

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